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What they REALLY fear - New Tech Levels Playing Field
Posted by Mike (Shmoo) on September 27, 2005 at 1:02 AM   (printer friendly)

Internet, New Technology Levels Playing Field For Up & Coming Musicians --Radio Ink

Internet, New Technology Levels Playing Field For Up & Coming Musicians

Many in the music industry – including the big four record labels – admit that the power balance in their business is shifting, due in particular to the Internet.

Downloads, peer-to-peer file-sharing, piracy, podcasting and online radio stations and a new generation of music entrepreneurs – are shifting that power balance.

Tom Smith, lead singer of British group Editors, says that his group has seen success after making their music available online.

"It seems to me that it means people can listen to more music, they can decide for themselves early on if they like or don't like something. So they can actually listen to more than they ever would listen to and then go out and buy the record."

Smith says his group’s "first record was very limited edition, and not many people could get their hands on it – but you could obviously get the songs and hear the B-sides on the Internet and from various places. "I think that's healthy and people sharing music is healthy."

Matt McGinn of the independent label Saddle Creek says the Internet had "really helped independent music." He adds, "I think all of our bands have seen growth due to people being able to share bands that they find and love with other people, who are then turned on to the music too. We've put up a couple of downloads for every record we release, and that, you know, shows that we want to share some of the music just for free, just to check it out, and I think that's definitely helped."

Rob Owen of EMI admits that the majors have been playing "catch-up," but adds they are now dramatically improving. "There was the file-sharing, peer-to-peer services, illegal downloads, and they'd completely and utterly taken over what we were meant to be doing as a record industry.

"We have caught up now, and I think people are sitting up and taking notice. They know where they can get things legally."


User Comments (These do not necessarily reflect the beliefs of this site)

independentm...  
Date: September 27, 2005 @ 3:15 AM
"We have caught up now, and I think people are sitting up and taking notice. They know where they can get things legally."

...and hopefully, if we at Boycott-Riaa and others are doing OUR jobs right, people are also learning that they can get things from other than RIAA/DRM infected sources.

gdZiemann  
Date: September 27, 2005 @ 12:42 PM
"We have caught up now..."

They can't catch up. It's not a race, it's a migration away from the old status quo.

"they'd completely and utterly taken over what we were meant to be doing as a record industry"

If ever a sentence summed up the present uselessness of the major labels, that's it. And what exactly was it that they were "meant to be doing"? Connecting the artists with an audience, maybe?

And what were the major labels doing while they completely and utterly lost control? Suing the audience?

"We have caught up now..."

INeedAlover  
Date: September 27, 2005 @ 1:58 PM
Yep, the RIAA record labels have been really great at connecting the artists with an audience. Especially after suing them. The connection becomes one of GREED.

IFeelFree  
Date: September 27, 2005 @ 8:09 PM
"they'd completely and utterly taken over what we were meant to be doing as a record industry"

Here's someone at a major music label admitting that they're industry is obsolete. With the internet and cheap digital recording technology, production and distribution can now be done without requiring the music industry resources. Even marketing can be done on the internet to a great extent.

The only reason that the music industry exists is because they control the rights to the back catalogue. Also, I imagine it's difficult for artists to get radio play without the support of a major label. It's clear, however, that the music industry is on life support. They have no fundamental reason to exist except that they own nearly all the friggin' music. That's not enough to prevent their obsolescence. They're a dying industry.